Piccoli Baci (Little Kisses) by Quetzal Maucci
Issue 175
In western society, there is a constructed image of the perfect family. A mother, a father, and a house with a white picket fence. A family structure that I never knew.
A family album was once physical and curated by the family. We would subconsciously and consciously edit, remove, and decide which photographs were best to present in our albums. I am curious about the photographs we do not include. The ones that were cast aside, ripped, and sealed in a box. I am curious about those photographs and stories that are still a part of who we are and a part of our personal memory, and yet cannot live in the ideal family album.
Piccoli Baci (Little Kisses) is a photographic exploration of my constrained relationship to my father who I did not meet until I was 23 years old. Growing up in California, I received letters in Italian and tried to imagine the man behind the words. Words I barely understood. I never knew that one day I would confront him.
We are all part of complicated family structures that transform over time. My story is intertwined not only within my nuclear family, but within the parts that are unseen. Through the work, I face my own suppressed memories in order to unfold complex emotions and explore notions of belonging, identity, family, and memory.
This project combines family photographs, writing, collected keepsakes, intervention photographs, and my own photographs from our first encounter. The project is guided by letters that I wrote directly to my father.
Quetzal Maucci (she/her) lives and works in London, United Kingdom.
www.quetzalmaucci.com | @quetzalitaa